Recording Engineer, StudioPersonnel - Randy Merrill, Mastering Engineer, StudioPersonnel - Paul Sidoti, Electric Guitar, AssociatedPerformer - Mike Meadows, Acoustic Guitar, Mandolin, Hammond B3, AssociatedPerformer - Amos Heller, Bass Guitar, AssociatedPerformer - Derek Garten, Editor, Engineer, StudioPersonnel - Bryce Bordone, Mix Engineer, StudioPersonnel
Max Bernstein, Synthesizer, Steel Guitar, AssociatedPerformer - David Payne, Recording Engineer, StudioPersonnel - David Cook, Piano, AssociatedPerformer - Serban Ghenea, Mixer, StudioPersonnel - Jonathan Yudkin, Violin, AssociatedPerformer - Dan Burns, Additional Engineer, StudioPersonnel - Charlie Judge, Accordion, AssociatedPerformer - Caitlin Evanson, Background Vocalist, AssociatedPerformer - Taylor Swift, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Billingslea, Drums, Percussion, AssociatedPerformer - Christopher Rowe, Producer, Vocal Engineer, StudioPersonnel - Austin Brown, Editor, Asst.
© Stephen Thomas Erlewine /TiVo More info This, along with excavated songs, are reason enough for Swift to revisit Red and they, not the re-recordings, are the reason to return to Red. The highlight of these is a ten-minute version of "All Too Well," a bitter ballad that was already one of the peaks of Red and is now turned into an epic kiss-off. The more interesting part of Red arrives in the second half when Swift records songs left in the vault, including "Better Man" - a song she gave to Little Big Town, who won a Grammy for Best Country/Duo Group Performance in 2018 for their recording - and duets with Phoebe Bridgers ("Nothing New"), Chris Stapleton ("I Bet You Think About Me"), and Ed Sheeran ("Run").
Nevertheless, much of the point of the re-recordings is to get these new versions as close to the original versions as possible so they can be easily licensed and to that end, Swift succeeds admirably. Released nine years after the original album, Red does bear a few signs of maturation, notably on the explicitly pop moments, such as "I Knew You Were Trouble," "22," and "We Are Never Ever Getting Back Together," which seem ever so slightly muted when compared to the 2012 versions.
FAMILY GUY PRESS THE RED BUTTON GIF SERIES
The second in a series of catalog re-recordings and revisions, Red finds Taylor Swift revisiting her self-styled pop breakthrough Red.
FAMILY GUY PRESS THE RED BUTTON GIF DOWNLOAD
Purchase and download this album in a wide variety of formats depending on your needs.
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